what is semi-, quarter-, micro-, septimal-diesis-, syntonic-comma, sub-minor seventh, polymicrotonal, ragisma writing?

---between knowing the name of something and knowing something--- R.F

…a glorious victory for the forces of swiftness…

They sent the Tortoise.

THE TRUE HISTORY OF THE HARE AND THE TORTOISE/Lord Dunsany

apparently (an acyrologia, an emorry (as in Obscure Sorrows’ emorries).

The hardware-house or the soft-warehouse, I wonder.

[ resonating You don’t make a photograph just with a camera. You bring to the act of the photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved ]

The simmering of ec(h)ology (remember the ego-chamber), and yet, the replacements of lens in favour of clarity/obscurity (near and far) wherein a target is locked by an instrument.

and yet, The Stick - Kobo Abe/fantranslated by Ryukichi Terao in relation to the discussion about/around the first instalment of Death Stranding developed by Hideo Kojima (forgive my fanboyness that does not entail playing his games EVER).

and yet, the Staff of Moses parting the Red sea, and the bone the Kubrick ape(s) employed to ward off enemies. (for God’s sake, Bones, new single by Amorphis just released). The United States Spacecraft Discovery as well?

The ropes that bind. The ropes that bond, they say, are “we’re all just vessels—or “Sapiens””, in a stranded Drifting Classroom by K. U, too?

—

A coastal swath illuminated by hope (or its abandonment, to who enter), therefore residing in the nocturnal realm and co-existing with moonlight.

Missa Atropos is about someone who decides to cut off all ties to the world and relocate himself to an abandoned lighthouse where he intends to write the final mass for the Greek goddess Atropos one of the daughters of night. - Gazpacho

—

Where is located in the sand: desert sand and blowing in the air, or the marine sand soaked underneath?

can hope, like sand, be dredged, compulsively, barbarically, mentally, from the sand bed, disturbing and provoking and demoralizing the sedimentation process?

the erosion of hope could also be the employment of hope, to deplete it. Like sand, and unlike fire. But elevation of hope transports and bestrews these grains - still, the testimony - on a whim (or two), with an amount of infinitesimal degree.

aerodynamics of hope? the pictures captured, and a camera, all in the same device.

credit: Lukasz Mankowski/Woman in the Dunes by Hiroshi Teshigahara
—

that a projectile of hope, being an arrow soaked in flammable liquid, or high-grade explosives, does not necessarily hit the target: the driving force is immaterial, bringing us to places, and committing deeds we are allowed or so suppose.

can we de-assemble, dismount, deconstruct our senses, one after another, until we reach the so-called faith? a greyscale picture (movie)?

—

did Antoine and the likes, the pilots, experience a variation of the Overview Effect? I suppose they do.